My Saturday afternoons are usually spent ironing, working and pretending not to, and following the football on Twitter, usually accompanied by numerous cups of tea and coffee and moaning about the weather. So it was a real delight to break from this norm and spend today on a barge in the company of poet Matt Abbott and several other writers, as part of Leeds Waterfront Festival. Despite working in Leeds city centre for ten years I'd never been to the docks *whispers embarrassedly*. I actually have no idea why because a) I love the water b) I grew up by one of the busiest docks in the world c) I've been just about everywhere else in Leeds.
Matt is a founder member of the very exciting A Firm of Poets and it was fantastic to hear some of his poetry and learn about the writers and lyricists that have inspired him (Bob Dylan, Charles Baudelaire, Charles Bukowski, John Cooper Clarke, and Hunter S Thompson amongst others). I love the fact that poetry is no longer seen to be the preserve of the academic elite, and that we are gradually reclaiming the spoken word that uses our own accents and colloqialisms (will be writing something in Hampshire dialect very soon :)
During our afternoon on the water Matt introduced a number of writing techniques and ideas, which resulted in a number of random pieces of writing which I thought I would share here. I'm hoping to keep working on these to sharpen them up in the near future. Watch this space...
50 word poems
Structure is important in poetry, it goes without saying - and there is something very pleasing about working with the restrictions of form, even when it involves maths. Here are two poems which I tried (and just managed) to keep under the word count.
On creativity
Greying path of the M62
Leeds concrete
and girls carrying their shoes in the multi-storey
The green of my apple
multi colours of the docks
I wait for the creative spark
that appears with my cigarette
and the surprise of water.
Precipitation
Density of clouds
Heavy as her heart
and full to burst
Reflected mood in the murk of water
Twenty feet down, made closer by the skies
She waits and watches
Til the light comes again
Grey turns to blue
and the colours dance.
We also looked at alliteration and were challenged to write a poem using only one letter (mostly). I seem to have a thing for W and here is my attempt:
Winding waterways work their way without waiting
We walk with wonder
while worlds whirl by
in wet wilderness.
When I look at the stuff I've written lately it is fairly clear that I need to think much more about form - so the next challenge of writing a sonnet was a welcome one. It is proving tricky though, so more of that next time hopefully. Many thanks again to Matt for an inspiring and productive day.
Saturday, 9 April 2016
Friday, 25 March 2016
Majestic #1
RMS Majestic arrived in the Solent on the 10th April 1922, exactly ten years to the day since Titanic made the same cumbersome journey into the welcoming arms of Southampton water. And as his uncle Will had also done exactly ten years before, Kit Burgess left 'The Grapes' public house at precisely ten minutes to twelve and jogged quickly down Oxford Street to the docks, cutting it fine in his desperation for one final drink before two weeks of temperance.
There was excitement in the air, and the palpable pride of a city that had made its name on the back of what was essentially an environmental fluke. A twice-daily high tide allowed for a greater flow of shipping traffic, this single factor beating anything that Liverpool could offer. Southampton, as a result, was a place of honour and satisfaction. Titanic, Kit's Uncle Will and his fellow lost crew-members (a good five hundred of them) were rarely mentioned; in part due to one of many maritime superstitions, but also grounded in an irrepressible spirit of hope that now seemed to centre around this new ship, the largest in the world.
At the docks the air was a heavy mix of metal and soot, with a faint overlay of salt. Kit strode up the gangplank, suddenly anxious to report for duty, knowing that he could miss his chance for employment even at this stage, as many often did. His distraction was such that he missed the chance for his usual quick prayer, typically made with one foot on land and one on sea. The Chief Steward checked his kit bag and some pleasantries were exchanged; they were old mates, serving many voyages together on Oceanic. Kit took a quick glance at his passenger list, to see if he recognised any names. Regular voyagers were known to ask for their favourite stewards. but this time they were new to him. Being a lover of conversation, his main hope was for distraction and intrigue; along with generosity, which went without saying.
The ship was immense, as he knew it would be, although the scale was hard to judge from the inside. The narrow passageways below deck ran fore and aft like a floating rabbit warren, and he followed the Chief Steward through the corridors, knowing that he would get his bearings soon. His quarters were the fondly-named 'glory hole'; a dormitory which ran alongside steerage and directly above the boiler rooms. It was hot and airless but homely enough, and of course he was amongst friends; twenty other 'Southampton boys', comrades and colleagues and the very pick of stewards, famed and selected not only for their dedication and professionalism but their jovial nature and constant good humour. His companions Viv and Tom were also his fellow band-members; on this ship they would have their very first chance to play as 'Scamps', an eight-piece outfit which was Kit's absolute pride and joy. Viv, the drummer, had a habit of upturning any items in his vicinity and tapping out tunes, which would make the glory hole a place of joyful music and song, or a place of utter irritation, depending on how you looked at it. Kit smiled as he thought of the reactions of his bed-fellows when they would practice their songs late into the night. With any luck they'd all get on and he'd have them all singing along by the time they reached New York.
There was an hour before muster, and Kit chose to spend it up on deck. He looked out over Southampton water to his home in Northam, waving from time to time at the growing crowds, locals waiting to see the ship set sail, or passengers outside the terminal, waiting to board. This time was precious; the calm before the inevitable storm of moving luggage, attending to fractious and nervous passengers and fetching impossibly necessary items. He lit a cigarette and leaned on the rail, feeling the ebb of the last beer working its way through his system along with the freedom of the last fortnight.
Immediately below him in the crowd was a small group; a family, he guessed. Husband and wife with two young children, and sitting slightly apart, a taller woman (the wife's sister?), resting her feet on a trunk. There was something about her that was out of place, and Kit felt unsettled for a moment, unable to put his finger on what made her stand out. He felt the kind of recognition he sensed when he served a famous passenger; a familiarity that you couldn't put your finger on at first. Although he couldn't make out her face there was something in the way she dressed and held herself that spoke of individuality and a refusal to conform. But most of all the feeling instilled in him was a mix of excitement and overwhelming sense of possibility.
At that moment the muster alarm sounded; Kit turned away, and moved back inside the ship.
Monday, 7 March 2016
On writing
Words hewn from the rocks of Purbeck
Thoughts mined
Panned from the silt, or
puzzled out
Joined end to end and piece by piece
Appearing in epiphany
Making sudden and absolute sense
Like the crossword returned to
And viewed through a different lens.
Or sometimes, gouged from a deeper place
Percolating like coffee
Stronger and sharper by the hour
Dormant for months
And woken in a flurry
Settling quickly on the white of the page
Or carved from ice, lost when I melt.
Saturday, 13 February 2016
Sunrise, Stanley Ferry
The earth here is ripped
torn and split
and the water pools in its wounds like blood
so flood-ravaged and washed out
that walking the paths feels like further violation.
My awkward and tentative steps around
(wishing to do no greater harm)
remind me of the gentleness of hands that moved across my own scars
old and new.
I hope for beauty
And see the flaws
Focus on defects
Down where the past has made its mark
But turn the corner and when I look up
glimpse greenfinch and wren
blackthorn in bud
bullfinch through the willow
and glint of sun on the navigation.
And I think
I still have so much to learn.
Monday, 8 February 2016
Home
You ask me where I come from
And I tell you this.
A place but not one place
Roots that exist, but struggle to grip the sand
That lined the streets I walked on
Or, less cryptically
Barrow boys and seafarers.
Dodgers of the Blitz and the Titanic bullet
East end and West quay
City and sea.
Sea!
And the island so close that the water between is an irrelevance
Jurassic cliffs and chalk horses.
Beaches in the forest
White yachts that fill my eyeline
A flight that takes me not too far out
But loops the land to return.
Friendship
And the love of an almost-sister
A symbiosis of circumstance.
Labour pains and failed expectations
Hopes dashed in the unexpected chill of a spring day.
The glory of imperfection.
Love
And most of all, the love of acceptance
Of a woman, unjudging
Who holds that child and will never let her go.
You ask me where I come from
And I tell you this.
And I tell you this.
A place but not one place
Roots that exist, but struggle to grip the sand
That lined the streets I walked on
Or, less cryptically
Barrow boys and seafarers.
Dodgers of the Blitz and the Titanic bullet
East end and West quay
City and sea.
Sea!
And the island so close that the water between is an irrelevance
Jurassic cliffs and chalk horses.
Beaches in the forest
White yachts that fill my eyeline
A flight that takes me not too far out
But loops the land to return.
Friendship
And the love of an almost-sister
A symbiosis of circumstance.
Labour pains and failed expectations
Hopes dashed in the unexpected chill of a spring day.
The glory of imperfection.
Love
And most of all, the love of acceptance
Of a woman, unjudging
Who holds that child and will never let her go.
You ask me where I come from
And I tell you this.
My top ten reads of 2015
This novel tells the story of Matt, a teenage schizophrenic, living with the guilt over his part in the death of his younger brother. It is a brilliant exploration of a descent into serious mental illness but also full of humour and hope.
8. A Death in the Family. Karl Ove Knausgaard.
I bought this book purely on the basis of the cover and the fact that it is set in Norway. It is the first in a series of autobiographies, which are not brilliantly written but strangely gripping nonetheless. Not a lot happens either (I'm really selling this one!) but I think the power is in Knausgaard's absolute honesty and ability to capture the essence and utter fallibility of human nature.
9. A God in Ruins. Kate Atkinson
Kate Atkinson is my favourite author. This book is the sequel to 'Life after Life', in which we are introduced to Ursula and Teddy, and follow their lives through wartime Britain. Amazing set-pieces, characters who are drawn so intricately that you feel you know them, and a devastating twist that still makes me cry if I think about it.
10. The Goldfinch. Donna Tartt.
Very, very long. But I know it's a good book because I read it all the way through without jumping to the end. Donna Tartt's 'The Secret History' is one of my favourite books of all time, and this is gripping in a similar way. A dense and well-sustained plot, amazing characters and a story similar to Great Expectations, but without the irritating character names.
So what does 2016 hold for reading? My aims are to continue reading non-work books every day, to slow myself down and focus on the journey rather than the end, and to discover as diverse a range of authors as I can. Here's a stash to start me off - but I'd love more recommendations so please tell me your favourites. With any luck I can make this pile so big it takes over my bedroom :)
Birdsong, after the flood
| Reed Bunting |
I walk the causeway
that bisects the hollowed bowl
so long a crater
now pitted scar turned wetland.
Before me the cast is now of thousands
Of goldeneye, gadwall, lapwing and grebe
Playing interlinked roles
And excavating damp earth for food the floods failed to wash away
The booms are bitterns.
Drills the wheeze of peewit
Beneath, the low thrum of wings
And rising above, the song of the teal in a minor key
I turn and trace the half-light
Until the antropocene dream
Fades like the sun behind the dragline
That nature reclaimed
For the roosts of owls.
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